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Of course, the new Volume Builder tools interact seamlessly with Cinema4D’s powerful mograph tools, splines, and particles. Using this pixel-like representation allows for some very exciting possibilities when it comes to building complex 3D shapes that would have been too time consuming before. As opposed to the vertices and polygons that make up traditional 3D objects, VDBs fill the volumes of objects with tiny cubes known as Voxels. OpenVDB, in a nutshell, is a different way of representing 3D data. Nodes enable you to explore massive Distributions and Procedural Modeling in advance of the further development of capabilities and integration of familiar Cinema 4D workflows that foster creativity. Notice in Step 10, we have reduced the intensity of the light by reducing the luminance strength of the polygon light. While OpenVDB, the open-sourced technology on which the Volume Builder tools are based, has been around for some time, it has never before been so well integrated into Cinema4D’s existing workflows. Scene Nodes in Cinema 4D R23 offers a sneak preview of the performance you can expect from the next generation Cinema 4D core and object system. On top of dozens of improvements to existing tools and workflows, R20 introduces brand new ways of modeling and animating that were simply not possible before in Cinema 4D. This hype is almost certainly due to the release of Cinema4D R20, bringing with it some of the most exciting new features the 3D software has seen in years. If you’re not yet a Cinema 4D user, you may have noticed a considerable buzz in recent weeks among your 3D-minded friends. And best of all, the Polygon Reduction preserves Vertex Maps, Selection tags and UV coordinates, ensuring textures and point-level data continue to map properly. An outline of all the new features in Cinema 4D R20. Cinema 4D’s Polygon Reduction tool works procedurally, so it’s easy to reduce entire hierarchies and quickly dial in the desired reduction strength or point count.

Cinema 4d r20 polygon reduction